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Sunday, 31 October 2021

A Harry Belafonte appreciation post.

 In truth, it's taken me years to build up the courage to try to put into words how deeply I admire the man, the musician, the force that is Harry Belafonte...but here goes!


Hi all,

I hope your winter is going well. To my three readers, you may have noticed that my blog posts have been few and far between. For me to write an honest review I require two things: time and motivation. Whilst I have one I find increasingly that I lack the other. But this fine night, I've spent some time just enjoying music and find myself resting comfortably in the perfect equilibrium for me to finally share with you one of my all-time favourite artists, Harry Belafonte.

Mr Belafonte is a voice handed down by generations. Although I never met him, I hear my grandfather loved his music, and as a result my father liked it too and growing up he would play his Belafonte CDs and one day it just clicked. This man that I spent many years hearing became something I actively sought to listen to. Harry Belafonte was a change-maker at the height of his popularity. He introduced the sound of Calypso and traditional African and Caribbean sound not only to African American music but to mainstream white music as it was dominating at the time. A tall and handsome fairer-skinned man, he charmed his way into white American/ mainstream audiences with a bouquet of sorrel hidden behind his back. Stick with me for this analogy!  - If you didn't know, sorrel is a plant used in Caribbean drink recipes. It has many health benefits and can be bitter but when cooked with syrup and cinnamon or maybe served with Jamaican rum it can be sweeet

With his music he explores a love of his heritage and celebrates culture in songs like "Island in the Sun" and sometimes created a festival song to dance to with a deeper message that highlighted conditions of the working class like in "Banana Boat Song (Day-O)".  (Sorrel!) Harry's music make me feel awake in the morning, and reminds me I'm alive in the day. It calls me to celebrate my being with an infectious rhythm, typical of authentic Caribbean Calypso - I mean really, you try being sad whilst listening to "Jump in the line"! His music ranges from upbeat floor fillers to deeply romantic love songs then theatre show tunes and even back to African storytelling songs. He was able to cross audiences and sounds easily being a man born of Jamaican and Jewish descent, performing all around the world; mixing and switching genres with ease and geniality. His voice sounds like the taste of coconut milk and rum, it feels like the warmth of the sun at it's highest point in the summer and transports me most of the time to a beach somewhere I've never been.



But Harry Belafonte is greater than a retired singer/performer (And actor!!) During the 1950s and 60's he contributed hugely to the civil rights movement and is still fighting for social justice now at the age of 94. A friend to Martin Luther King Jr, he financially supported many of his campaigns and was publicly outspoken about the disparity between black and white Americans. He was also active in the anti-apartheid movement. He was on the streets marching alongside the ones you'll often hear about in the history books. He was an advisor and a safe space for activists, often providing his home and offices for peace-meetings. During his time as a late-night TV talkshow host, he gave the platform for open discussion with black performers, politicians, white presidential candidates and native-American poets with guests listing from Aretha Franklin to Robert Kennedy.

He is unique in that, in his performances, he broke down stereotypes of what/who the black man is meant to be which was so important but went even further than entertainment to reinforce education. 



To me, his music represents so much more than the joy it encapsulates. More than the deep cultural appreciation it carries. It's more than the genres he crosses or the topics he explores. It's more than generations of love for music passed down from my grandfather's vinyls to my dad's CDs and my Spotify playlist. He is more than his incredible activism, more than an inspiration, more than a legacy. To me Harry Belafonte represents the immeasurable potential of humanity. Obviously I've never met him so can't judge him as a person but as a public figure, there's no denying all he's achieved. At 94, he has reached so many generations, touched so many lives and changed so many systems, not only through his music but in everything he embodies excellence. I truly look up to him as someone who found a way to take something he deeply loves in music and turn it into something he cares about. It's what every working person dreams of - to love their job and make a difference to something somewhere and hopefully, if they can, to make the two cross over.


Even now his charity Sankofa uses art, culture and media to spread the message and impact areas of social injustice that disproportionately affect underserved and oppressed people. His sound is that of change, and most importantly of love, not just for music or for culture but for mankind. 

Saturday, 15 May 2021

Fan- Funking- Tastic: Soul and Funk is back

Hi, hello, hey, howdy.

How's it going?

It's been a minute since I've written one of these love letters to music. It gets like that sometimes, but I'm back and it seems revival is the theme because I'm noticing a trend in what's trendy right about now. Let's talk about the rebirth of Funk and Soul.

The feel-good music genres which were so popular in the 70's and 80's have been making a steady resurgence over the last five years and it's latest stamp on the pop charts comes from Bruno Mars and Anderson .Paak with 'Leave The Door Open' produced (of course) by Bootsy Collins.


What started off as a radical funk you to 'the man' and a celebration of black-blackity-blackness, to be played at birthday parties, BBQ's and nights in with your boo; exploded and spilled into dancehalls and discos in the early 80's. Along with the 'Black is beautiful' movement came huge afros and wide collars, rollerskates and blunts, and within the whole mix - psychedelia, funk and soul. I would spend rainy afternoons twisting my headphone cords around my fingers, dreaming of a time-machine that could transport me to an episode of Soul Train. I'd watch Earth Wind and Fire late on school nights and bring the melody into school with me the next morning. It's an era that resonates with me as a lover of my natural hair, melanin and music that speaks to the depths of my soul, inspiring movement and natural rhythm.

Now with a rebranded wave of social justice in the BLM movement comes a myriad of music which forms the soundtrack of unapologetic black pride.

During this p****mic, the rebirth of funk and soul couldn't have come at a better time. It has it all - infectious tempos to beat any mood, fashion that never goes out of style and a celebration of blackness. So I've created a playlist on Spotify with some of the latest soul and funk songs I've been jamming to recently as well as the classics.

💜💜💜 PLAYLIST LINK HERE: https://open.spotify.com/playlist/6LJtF46fxmgrfGb2PIsXtf?si=GnUDmHycT5WNr_oxL6Pakg 

As always, I hope you enjoy it.

Love, 

M x